Mostrando entradas con la etiqueta Miami. Mostrar todas las entradas
Mostrando entradas con la etiqueta Miami. Mostrar todas las entradas

domingo, 25 de agosto de 2013

Capilla en Miami | Fernando Romero (FREE)

Miami-Chapel-0No son muchos los arquitectos que están abordando el futuro de la arquitectura religiosa, lo que parece, se ha resistido más desde su breve coqueteo con el modernismo en los años 1950 y 60. Es cierto que muchas iglesias contemporáneas están esculpidas con hormigón, un indicador ingenuo de la modernidad, pero pocos siguen el modelo espacial de Le Corbusier en Ronchamp y La Tourette o Gillespie, Scott, y la espléndidamente descomposición, del monasterio de San Pedro de Coia en Cardross. Bueno, parece que Fernando Romero (FREE) ha asumido la misión, con su nuevo diseño para una capilla de Miami.

Miami-Chapel-5Mientras que en la inspección inicial, el diseño se ve algo así como un refrito de Niemeyer, con algunos trucos nuevos lanzados adentro, hay un método detrás de la forma en alza. El concepto de FREE detrás de la capilla, que recientemente ganó un concurso para construir una capilla dedicada a la Virgen de Guadalupe para una comunidad católica de Miami, fue unir a todas las vírgenes de América Latina en una estructura ecuménica. Este deseo se manifiesta por los 27 rincones sombríos para albergar una efigie de cada una de las vírgenes en el anillo alrededor del espacio central.

En el plan, las capillas laterales son registrados por las ranuras del contorno “corrugado”, que ancla una cáscara de hormigón ondulante suspendida sobre un óculo. Los huecos dramáticos en el material de construcción se asemejan a los pliegues de la vestimenta de la Virgen, mientras que una pátina de oro añadido en la superficie del hormigón impregna la capilla con un suave tono misterioso. El portal central, impresa con la imagen de la Virgen, vierte luz sobre los fieles, a continuación, con hendidura como “claraboyas” secundarios que admiten astillas de luz por encima de cada uno de los ábsides.



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martes, 15 de enero de 2013

Zaha Hadid, South Beach garage in Miami

In the latest bid to reinvent the concept of the parking garage on Miami Beach, London-based Zaha Hadid Architects has designed a structure that, like the lauded 1111 Lincoln Road, is as much a place to admire or gather as it is to park.

Architects with the prominent design firm unveiled updated details of the Beach’s $18.5 million building in the Collins Park neighborhood last week, and revealed images of a garage of swooping bare concrete parking decks seemingly pierced by slanted metal columns.

And, for the first time, they disclosed plans to create a public plaza beneath the shadow of the structure and close Liberty Avenue where it cuts between the Miami City Ballet and the Miami Beach Regional Library and through the footprint of the garage, located in the heart of the city’s parking-starved cultural campus.

The design remains in the “early, early days,” stressed Chris Lépine, a Zaha Hadid associate.

But the concept behind the design is definitive.

“We saw this as more than an opportunity to develop a parking structure, but also an active participant in the area that participates with and contributes to the Collins Park area, the cultural district,” Lépine said.

The project was initially envisioned as a $12.5 million garage located behind the ballet.

But an expanded 489-space structure shown during a Sept. 5 community meeting at City Hall boasts five parking levels, three of which extend east from the base of the structure behind the ballet and tower over a closed and spruced-up Liberty Avenue and the space behind the library.

The parking levels, spaced to allow for natural light and views, are adorned with alternating solid and cable balustrades that vary in elevation and in places hide the presence of cars from view.

On the west side of the garage, 20,000 square feet of retail and restaurant space is expected to draw in crowds. And to the east, behind the library, a plaza of swirling grass patterns and curving concrete benches stretches around a glass elevator shaft surrounded by a swirling walkway that descends from the upper parking levels.

Lépine said the plaza was inspired by the Beach’s “undulating sand dunes” and “the tension between vegetation growing between ‘hardscaping’ patterns.”

“I see this as a potential sculpture park. I see this as a potential events venue,” Lépine said. “I see the library wall as a participant or maybe backdrop to arts displays.”

The garage is to be the newest addition to a growing collection of cutting-edge parking structures on Miami Beach.

Other dazzling garages include the Ballet Valet on Collins and Seventh Street — known by some as the Chia Pet garage for the thick plantings that cover its upper stories — and the under-construction municipal garage in Sunset Harbour that boasts colored metal panels arranged in a shimmering trapezoidal shape. Both were designed by the Miami firm Arquitectonica.

The Swiss firm Herzog & de Meuron has contributed by designing the origami-like 1111 Lincoln Road, which has become a popular venue for parties and even weddings. Frank Gehry’s glowing garage next to the New World Center and Enrique Norten’s minimalist structure south of the Lincoln Road Mall also dot the South Beach landscape.

Fernando Vazquez, director of capital improvements for the city, described the trend as combining “cutting edge architecture with the practicalities we need in our city for parking.”

But the design of the latest garage must be vetted further before contractors break ground.

Several city boards, including the City Commission, must approve the design. A first presentation before the Historic Preservation Board could come as early as November. Construction is expected to begin in fall of 2014.

During the meeting, some residents questioned whether the plaza would become a gathering space for the homeless and a park for skateboarders.

But the larger issue with the design is undoubtedly the 56-foot height of the structure, which exceeds the acceptable 50-foot limit of the properties to be built-out, according to Assistant City Manager Jorge Gomez.

Gomez explained that the City Commission will need to decide whether to allow a zoning variance for the height.

If not, he said the garage will need to be redesigned with one less parking level and about 90 fewer spaces.

 <br /><br />From left to right, Alabama team managers Leon Fluker, a junior, Clay Smith, a senior, and Turner Norsworthy, a junior, sit in the Fontainebleau Hotel lobby the morning after the team won the BCS championship. Photo by Maria LaMagna<br /> <br />

The hotel lobbies and surrounding streets are quiet again. No more pep rallies, slogan-spewing alums, color-coordinated college kids.

Can robotic parking machines change how people feel about parking garages?

Bal Harbour’s council shut down an ordinance that would have prohibited new businesses in the village’s oceanfront condo buildings.

Miami Herald

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domingo, 13 de enero de 2013

‘Eleven Eleven’, Herzog & de Meuron en Miami

ELEVEN ELEVEN is a Semifinalist in the $200,000 FOCUS FORWARD Filmmaker Competition. View more Semifinalist films at vimeo.com/focusforwardfilms/semifinalists. Learn more about the Competition and FOCUS FORWARD at focusforwardfilms.com

Miami Beach is legendary for many things – and a parking garage is now on that list. It's known as Eleven Eleven, and it has changed people’s perception about what a utilitarian structure can be; and has ignited conversations worldwide about its design and use. This garage has reshaped the urban fabric of the city and people are going there to get married, relax, and enjoy a cocktail.

Elizabeth Priore : Director, Producer, Writer, Camera 1, Editor
Alex Rodriguez : Camera 2
Patrick Adams / Geoffrey McCook : Camera 3
Peter Wallace : Composer
Freddy Hernandez : Animation

3D model © MBEACH1, LLLP used with permission
Sketch of 1111 Lincoln Road used with permission by MBEACH1, LLLP
Wedding photograph courtesy of Donna Newman photography
Thumbnail photograph courtesy of Bastien Lattanzio (featuring C.C. Sheffield)

Thank You To : Alejandro Couce, Robert Wennett, Mario Cader-Frech, Mary Jessica Woodrum, Denise Grant, Walter Chung, Herzog & de Meuron, A. Moggio, 1111 Team

Special Thanks To : Mary Priore



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